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- Helges
Treue, op 1 (1859)
- Lieder,
op 2: I Märzblumen
(6 songs)
 ;
II Cypressen (6 songs); III Heliotropen (see also op 76)
- Fantasiestücke
in Walzerform, op 3: Nr. 1 in B; Nr. 2 in A-flat (1862)
- Zwei
Konzertwalzer, op 4: Nr. 1 in E-flat; Nr. 2 in D-flat (1867)
- Zwei
Konzertwalzer, op 5: Valse-Nocture in E; Valse-Scherzo in
c# (1862-7)
- Sonata
quasi fantasia for Piano in c#, op 6 (1862-7)
- Ballade
for Cello and Piano in b, op 7 (1867)
- Fantasie
on Themes from Boieldieus "Weisse Dame", op 8 (1866)
- Petite
Histoire. op 9 (ca. 1869)
- Lacrimosa, op.10 (1865)
- Barcarole
for Cello and Piano in a, op 11 (1872)
- Symphony
nr. 1 in G, op 12 (1868-72)
- Fata
Morgana, op 13 (1877)
- Dämmerungsräume:
Five piano pieces, op 14 (1876-7)
- Six
Fugues for piano, op 15 (1876)
- Weihestunden.
Six songs for baritone (or mezzo-soprano) and piano, op 16
(1880)
- Buch
des Frohmuts. Six songs for baritone (or mezzo-soprano) and
piano, op 17
(1880)
- Bergidylle.
Ballade for baritone (or mezzo-soprano) and
piano, op 18 (1880)
- Ritter
Olaf. Ballade for baritone (or mezzo-soprano) and
piano, op 19 (1881)
- Landschaftsbilder.
Six songs for baritone (or mezzo-soprano) and
piano, op 20 (1881)
- Was
die Schwalbe sang, Five lyric pieces, op 21 (1883)
- Requiem in b, op 22 (1883)
- Miniaturen,
Six piano pieces, op 23 (1883)
- Trauer
und Trost. Six songs for baritone (or mezzo-soprano) and
piano, op 24
(1880)
- Symphony
nr. 2 in F, op.25 (1876)
- Vermischte
Lieder. Six songs for baritone (or mezzo-soprano) and piano,
op 26
(1881)
- String
quartet nr. 1 in c, op 27 (1880)
- Three Songs for Male
Chorus, op 28 (1880-5)
- Liebeswonne
und -weh. Six songs for baritone (or mezzo-soprano) and piano,
op
29 (1880)
- Adventlied
for Chorus, Soloists, and Orchestra, op 30 (1871-5)
- Adagio
for Horn and Piano, op 31 (1885)
- Romanze
for Horn and Piano, op 32 (1885)
- Gedenkblätter Two
songs for baritone (or mezzo-soprano) and
piano, op 33 (1880)
- Two
Ballades for baritone (or mezzo-soprano) and
piano, op 34 (1880)
- String
quartet nr. 2 in e, op 35, (1886)
- Concerto
for Piano and Orchestra in E-flat, op 36 (1885-6)
- Kanons
(18) piano four hands, op 37 (1882-8)
- Clarinet
Sonata in B-flat op. 38
- Violin
Sonata in B-flat op 38 (alternate version of clarinet sonata)
- Osterszene nach Goethes
Faust (Easter Scene after Goethe's Faust) for baritone,
chorus, and orchestra, op 39 (1887)
- Symphony
nr. 3 in C op 49 "Symphonia Tragica" (1885-6)
- Die
Heinzelmännchen,
for a-capella choir, op 41 (1887)
- Kanonische
Rätsel, for piano four hands, op 42 (1888)
- Rückblicke. Five
lyric piano pieces, op 43 (1888)
- Scheidende
Sonne, Nine piano pieces, op 44 (1888)
- Das
Leben ein Traum (after Calderon), op 45 (1888)
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- Dem
Deutschen Volke ist Gegeben, for male chorus, op 46 (1888)
- Four
Songs for Women's Chorus, op 47 (1889)
- Quintet
in B-flat for piano, violin, viola, cello, and horn, op 48
(1888)
- Serenade
in D, op 49 (1888)
- Penthesilea
(after Kleist), op 50 (1888)
- Cello
Sonata, op. 51 (1890)
- Columbus,
Cantata for soprano, baritone, male chorus, and orchestra,
op 52 (1890)
- Das
Schloss am Meer, op 53 (1897)
- Jubiläumsfestmarsch,
op 54 (1886)
- Salvum
fac regem, for Mixed Chorus, op 55
(1889)
- Psalm
93, op 56 (1889)
- Four
Sacred Songs for Mixed Chorus, op 57 (1891)
- Der
Tod kennt den Weg. Ballade for bass and piano, op 58 (1897)
- Psalm
23, for women's or chlldren's chorus, op 59 (1889)
- Grand
Mass in f#, op 60 (1890)
- Five Songs, op 61 (1896)
- Four
Songs, op 62 (1896)
- Akademische
Festouverture, op 63 (1890) [also identified as op 83]
- Der Deutsche Sang (The
German Song), for male chorus, op 64 (1897)
- Jubel-ouvertüre,
op.65 (1898)
- String
quartet nr. 3 in c#, op 66 (1895)
- Five
Songs, for baritone (or mezzo-soprano) and
piano, op
67 (1899)
- Three
Songs,for baritone (or mezzo-soprano) and
piano, op
68 (1899)
- Scene
for Violin and Piano, op. 69 (1899)
Christus.
Mysterium: Prelude and Three Oratorios, opp.70-3 (1895-9):
- Vorspiel: Die Geburt
des Herrn, (Prelude: The Birth of the Lord) op. 70
- First Oratorio: Christi
Weihe (Christ's Consecration), op. 71
- Second Oratorio: Christus
der Prophet (Christ the Prophet), op. 72
- Third Oratorio: Tod und
Sieg des Herrn (Death and Victory of the Lord), op. 73
- Der
Mönch von Bonifazio, melodrama
after C.F.Meyer, op 74
- Drei
Geistliche Gesänge,
for voice and piano, op 75 (1901)
- Drei
Gesänge,
for voice and piano,
op 76 (1906)
- Quintet
in F for violins (2), viola, and celli (2), op.77 (1901)
- Frühlingsgruss,
for voice and piano, op 78 (1906)
- Trauermarsch,
for large orchestra, op 79 (1906)
- Die
Traurige Krönung, ballade
for voice and piano after Moerike, op 80 (1906)
- Four
Songs, for voice and piano after
Moerike, op
81 (1906)
- [Not identified], op 81
- [See op 63], op 83
- [Not identified], op 84
- Grand
Mass in a, op.85 (1908-9)
- Suite
for Two Violins, op. 86 (1911)
- Kleine
Suite for English Horn (or Oboe) and Piano, op 87 (1911)
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- Symphony in C "Jugendsinfonie" (performed in 1856; subsequently destroyed)
- Overture
to "Niklas Zriny", piano four hands, WoO 1 (1849)
- König
Sigurd - Opera in 3 Acts after Emanuel Geibel's Sigurd,
WoO 2 (1853-7)
- Germania
an ihre Kinder, after Kleist, for soprano, male
chorus, and orchestra, WoO
3a (1859)
- Germania-Kantate,
after Strachwitz, for male chorus and orchestra, WoO
3b (1859)
- Germania-Marsch
for Orchestra, WoO 3c (1861)
- Die
Hermannsschlacht, Music for Kleist's Play, WoO 4 (1860)
- Frage
und Antwort (Question and Answer) after Moerike for
baritone (or mezzo-soprano) and piano, WoO 5 (1861)
- Julius
Caesar, Symphonic Poem, WoO 6 (1860, revised 1865)
- Frithjof,
Symphonic Poem, WoO 7 (1865)
- Overture
for the Namesday of Princess Constantin of Constantin Hohenzollern-Hechingen,
WoO8 (1862)
- Der
Schwur im Rutli (The Oath in Rutli), Cantata for soprano, and
male chorus, WoO
9 (1862-3 version for wind orchestra; 1868 version for full
orchestra)
- Polonaise
in D, WoO 10 (1864)
- Symphonic
Andante for Cello and Orchestra in e, WoO 11 (1876)
- Dietrich von Bern - Opera
in 3 Acts, WoO 12 (1877; revised by Otto zur Nedden, 1925)
- Herrat
- Opera in 3 Acts, WoO 13 (1877-9, revised 1885)
- Gudrun -
Opera in 3 Acts, WoO 14 (1879-84)
- Concerto
for Violin and Orchestra in e, WoO 15 (1881)
- An
den Mond, for
baritone (or mezzo-soprano) and piano, WoO 16 (1881)
- Der
Waldschatzhauser, WoO 17(1882)
- Meleagerchor for 6 soloists
and mixed chorus, WoO 18 (1888)
- Neun
Albumblätter, for piano,
WoO 19 (1888)
- Gesang zur Fahnenweihe, for a-capella chorus, WoO 20 (1890)
- Sonata
for Viola alta and Piano No. 1 in c minor, WoO 21(1892)
- Bertran
de Born - Opera in 3 Acts, WoO 22(1892-4)
- Sachsen-Hymne, for male chorus and orchestra, WoO 23 (1893)
- Fischer
und Kalif - Comic Opera in one Act, WoO 24 (1894-5)
- Quintet
in A 'Stelzner-Quintett' for violins (2),viola, violotta, and
cello, WoO 25 (1897)
- Sonata
for Viola Alta and Piano No. 2 in F-major, WoO 26 (1902)
- Der
Thunersee, Symphonic Poem, WoO27 (1903)
- Getrennte wege, for four-part women's chorus, WoO 28 (1903)
- Der
Traum ein Leben (Symphonic Prelude after Grillparzer), WoO 29
(1904)
- Merlin - Opera in 3 Acts,
after K.L. Immermann, WoO 30 (1903-5)
- Psalm 57 for baritone,
chorus, and orchestra, WoO 31 (1907)
- Faust in Schlaf Gesungen, for
chorus and orchestra, WoO 32 (1907)
- Parzengesand, after Goethe's Iphigenie, for alto and orchestra,
WoO 33 (1907)
- Wunder,
for baritone (or mezzo-soprano) and piano, WoO 34 (ca 1908)
- Requiem
in e, for five-part a-capella chorus, WoO 35 (1909-10)
- Feenzauber, Konzertstück
for harp and orchestra, WoO 36 (1910)
- Fugen, for four voices, WoO 37
(1910-1)
- Symphony
nr. 4 in e " Symphonia Comica", WoO 38
(1912)
- Four
Songs, after Grete Ihle, WoO 39 (1912)
- March
in C-major, for piano, WoO 40
- Dämmerung,
after Weitbrecht, for male chorus, WoO 41
- Auflösung
on Brahms' Canon "Töne lindernder Klang", WoO
42
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